Filmmaking (Cinematography) at Goldsmiths, University of London - UCAS

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Course summary

If you are passionate about pursuing a career as a cinematographer in an environment that promotes innovative filmmaking, this programme is for you. With its unique blend of hands-on workshops, studio and location filming exercises, and high production value collaborative film projects, the MA in Filmmaking (Cinematography) elevates your skills as a moving-image storyteller to the level of Director of Photography. What we offer The MA in Filmmaking (Cinematography) is a pathway of the Goldsmiths MA in Filmmaking. It is housed in a new purpose-built media facility with state-of-the-art teaching spaces including film and photography studios equipped with Arri cameras and lighting. You'll learn sophisticated camera, lighting and gripping techniques, and will perform all camera department roles from Director of Photography to Camera Operator, Focus-puller, Gaffer, Camera Assistant, Spark and Grip. You’ll work on a number of exercises and films per term in your specialist role, culminating in a major film production towards the end of the degree. Throughout the degree, you’ll also gain parallel experience in related cine roles by crewing for your fellow cinematographer classmates. In addition to developing professional-level skills in your specialist craft area, you’ll attend classes in related disciplines such as Directing and Editing and advance your collaborative skills by working with students across all specialisations, including writers, producers and sound designers. The horizontal framework is designed to stimulate collaborative practice by introducing you to a breadth of filmmaking knowledge combined with a high level of expertise as an accomplished cinematographer. Expert guidance Experienced tutors and industry guests provide expert guidance designed to enhance the flow of your individual research, experimentation and artistic achievement. Recent guest speakers include Barry Ackroyd BSC, Cesar Charlone ABC, Jess Hall BSC, Martin ‘Teddy’ Testar BKSTS, Adam Scarfe (DoP), Howard Davidson (Gaffer), Steve MacCarthy (Operator) and our very own Witold Stok BSC. You'll be able to join the British Society of Cinematographers Club as student members and have the opportunity to interact with the world’s top cinematographers during our annual trip to the world’s largest cinematography festival Camerimage in Poland. You'll leave the MA with a diverse portfolio of moving-image work that spans fiction and documentary, as well as hybrid and experimental genres. The programme will prepare you to enter the global job market, armed with an enhanced understanding of your practical, intellectual and creative capacities as a cinematographer. You will also develop a variety of transferable intellectual, organisational and communication skills to equip you for a broad range of employment opportunities across the arts and media landscape. The Department of Media, Communications and Cultural Studies has been ranked 2nd in the UK for 'world-leading or internationally excellent' research (Research Excellence Framework, 2021) and 12th in the world (2nd in the UK) in the 2022 QS World Rankings for communication and media studies. Our students say: “I won the NAHEMI Best Cinematography award at Encounters International Short Film Festival for my Goldsmiths graduation film. Yet, before enrolling on the MA, I had little previous experience of cinematography. I knew I was fascinated by cinematography and I understood that lighting, in particular, was a painstaking skill." “Since I graduated from the MA, things have gone really well. So far this year, I've done nineteen short films and two feature films, one of which was picked up at Cannes. It’s all a bit manic and I have no social life, but I love it! So, I would just like to thank the Goldsmiths staff again for taking a chance with me, and accepting me onto the programme.”

Modules

For two terms you will spend a full day a week in specialised contact with your specific programme convenor. These sessions include: practical demonstrations and exercises lectures screenings small group seminars workshops You will also take three option modules, taught through practical workshops and hands-on experiences, as well as critical discussion and essay writing. The third term will be taken up with your final substantive project and you will take part in a series of progress and feedback meetings. Screen Lab You will also advance your collaborative skills by working in teams with fiction and documentary producers and directors and sound and edit students, on a variety of projects and at least three scheduled films across the year. You will leave the programme with a diverse portfolio of moving-image work that may span a variety of formats – music video, web series drama, documentary, campaign/commercial, experimental art pieces and feature-scale short fiction films. Compulsory modules You will take the following modules: Cinematography: Specialist Skills 30 credits Contemporary Screen Narratives in Practice and Theory 15 credits You will also complete a Final Project (90 credits), assessed by a portfolio of work and a viva that reflects your practice. Screen School options As well as your Cinematography specialism, you will choose three 15-credit option modules to enhance your other skills and critical approaches. Options include: Social Activist Film 15 credits Adaptation and Script Editing 30 credits Archaeology of the Moving Image 15 credits Camera Fundamentals 15 credits Experimental Media 30 credits or 15 credits Filmmakers Make Theory 15 credits Film Producing Fundamentals 15 credits Representing Reality 15 credits Sound Design Fundamentals 15 credits The Ascent of the Image 15 credits Visual Storytelling 15 credits Doctor Holby: Writing for Existing Continuing TV Drama Series 15 credits Media Law and Ethics 15 credits Practical Law for Film-makers 15 credits Please note that due to staff research commitments not all of these modules may be available every year.


Entry requirements

You should have (or expect to be awarded) an undergraduate degree of at least second class standard in a relevant/related subject as well as a level of practical experience from work in the arts or the media. You might also be considered if you aren’t a graduate or your degree is in an unrelated field, but have relevant experience and can show that you have the ability to work at postgraduate level. Because funding deadlines and requirements vary around the world, applications are considered on a rolling basis from February onwards and places on the programme fill up across the recruitment cycle. For this reason, we strongly advise you to submit your completed application as early as you can. If English isn’t your first language, you will need an IELTS score (or equivalent English language qualification) of 7.0 with a 7.0 in writing and no element lower than 6.5 to study this programme.


Fees and funding

Tuition fees

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Additional fee information

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Filmmaking (Cinematography) at Goldsmiths, University of London - UCAS